Conscious of its educational mission, Scherzi Musicali regularly collaborates with the "Jeunesses Musicales" to introduce early music to young audiences.
Scherzi Musicali's discography includes thirteen recordings to date, eleven of which are world premieres: "L'Euridice" - Giulio Caccini (2008), "Dulcis Amor Iesu" - motets by Giovanni Felice Sances (2009), two volumes of "Petits Motets" - Joseph Hector Fiocco (2009 & 2017), "La Catena d'Adone" - Domenico Mazzocchi (2010), "How pleasant 'tis to Love" - songs by Henry Purcell (2012), "Il Pianto d'Orfeo" - Monteverdi, Caccini, Peri... (2013), "La Maddalena", oratorio by Antonio Bertali (2016). Their latest work is dedicated to the Lectures of the Church, "Dialoghi Amorosi" - Sances (2017), "O Penosa Lontananza" - unpublished cantatas by Alessandro Scarlatti (2018), "O Splendida Dies" - motets by Giovanni Paolo Colonna (2019), and "Motets" - Jean-Noël Hamal (2021). Their last opus is devoted to the Leçons des ténèbres by Charles-Joseph van Helmont (2023). These albums have been published by Alpha, Deutsche Harmonia Mundi/Sony, Musique en Wallonie and Ricercar, for whom the ensemble now records exclusively.
Each of their recordings has met with real enthusiasm from the international press: Diapason d'or, Diapason découverte, Choc (Classica), Joker (Crescendo magazine), Octaves de la Musique, La Clef (ResMusica), Prelude Classics Award, 4 stars (Monde de la musique), Muse d'Or & Muse du mois (Muse baroque), Golden Ring (Classic Info), Outstanding (International Record Review), Pix Cæcilia, etc.
On the screen, Scherzi Musicali can be seen in the report "Monteverdi, aux sources de l'opéra" by Philippe Béziat (Arte, 2017), or in the film "À l'ombre des filles" by Étienne Comar (release in 2022).
Scherzi Musicali is supported by the Fédération Wallonie-Bruxelles (Direction générale de la Culture, Service de la Musique) and is "artist in residence" at the Koninklijk Museum Voor Schone Kunsten Antwerpen.